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Francis Bacon was born in 1909 in Dublin, Ireland. He grew up both in Ireland and the United Kingdom where he spent most of his adult life. Widely renowned for his portraits and depictions of the human figure, Bacon is undoubtedly one of the greatest painters of the twentieth century. Both classical and modern influences converge in his paintings which present visceral depictions of physicality combined with a powerful, often angst-ridden, psychological component.
His work, received with both unease and acclaim in the early forties, would later be purchased by many major museums, including the Museum of Modern Art, the Guggenheim Museum in New York and the Tate Gallery in London. In 1954, Bacon shared the British pavilion at the Venice Biennale with artists Lucian Freud and Ben Nicholson. By the 1970’s and 1980’s major exhibitions and retrospectives of Bacon’s work were being presented in France, Mexico, Venezuela, Spain, Japan, the USA and the USSR. Francis Bacon died in 1992 while on a visit to Madrid, Spain.
1976 | 38 x 29 cm | Heliogravure | Editor Georges Visat
1977 | 67 x 53 cm | Heliogravure | Editor Georges Visat
Born in Paris in 1949, Julius Baltazar was noticed in his youth by Salvador Dali who took the budding artist under his wing and encouraged him to pursue his artistic career.
The works of Julius Baltazar, a mix of printmaking and painting, usually feature elements of intaglio printing, ink drawing and Arlequin pencil. A deep interest in literature led the artist to illustrate over three hundred works of poetry. The artist's work is featured in many important public collections in Canada, Spain, Belgium, Switzerland, Japan and France.
Untitled 6
2000 | 56 x 38 cm | Etching and painted chine | 17 prints | Éditor Atelier-Galerie A. Piroir
Untitled 5
2000 | 56 x 38 cm | Etching and painted chine | 17 prints | Éditor Atelier-Galerie A. Piroir
Untitled 3
2000 | 56 x 38 cm | Etching and painted chine | 17 prints | Éditor Atelier-Galerie A. Piroir
Untitled 1
2000 | 56 x 38 cm | Etching and painted chine | 17 prints | Éditor Atelier-Galerie A. Piroir
Untitled 4
2000 | 56 x 38 cm | Etching and painted chine | 17 prints | Éditor Atelier-Galerie A. Piroir
Untitled 2
2000 | 56 x 38 cm | Etching and painted chine | 17 prints | Éditor Atelier-Galerie A. Piroir
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Né en 1947, Alain Bar est un graveur français, qui travaille en taille douce, avec pour thèmes privilégiés le sport et le jazz. Il s’est mérité divers prix, dont le Grand prix de France des arts plastiques.
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Hans Bellmer was born in Kattowitz, then part of the German empire, on the 13rd of March 1902. The artist is best known for creating life-sized sculptures of erotic dolls. Historians also consider him a surrealist photographer.
His dolls are a statement on the cult of the female body, a popular theme in Nazi Germany. However, his response was to cut up, mutilate and present the dolls in unconventional poses. The Nazis declared his work as «degenerate» and he was forced to leave the country. He relocates to Paris where his work is accepted especially by the surrealists who appreciate the themes of sexuality and feminine beauty.
Bellmer spends the rest of his life in Paris and replaces doll making with etchings and erotic drawings. He also explores printmaking, photography and painting while retaining the theme of explicit sexuality, especially in young women.
32 x 25 cm | Burin | Editor Georges Visat
Carol Bernier, a Quebec painter, lives and works in Montreal, where she has made her mark on the art scene through the expressive force of her brushstrokes and the richness of her color palette. A graduate in Fine Arts from the Université du Québec à Montréal (UQAM), she has explored a style of painting characterized by abstraction and movement since the 1990s. Often on a large scale, her canvases feature chromatic impulses that evoke both nature and memory, while creating a dialogue between space and matter. Guided by the spontaneity of her stroke, she exhibits regularly in Canada and abroad, capturing the interest of a diverse audience and critics alike.
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Louis-Pierre Bougie was born in Trois Rivieres in 1946 and studied in France at l'Atelier Champfleury and also with Lacourière and Frélaut.
He actively participates in the development of printmaking in Quebec by opening up his private Montreal studio to visitors around the world. He is also a founding member of l'Atelier Circulaire in Montreal. His work is part of many public and private collections in France and Canada and he has won many prizes for his talent as a printmaker.
Untitled 4
1994 | 37 x 106 cm | Chine collé, aquatint and burin
Untitled 5
1994 | 56 x 75 cm | Chine collé, aquatint and burin
Untitled 7
1994 | 56 x 75 cm | Chine collé, aquatint and burin
Untitled 6
1994 | 56 x 75 cm | Chine collé, aquatint and burin
Untitled 8
1994 | 56 x 75 cm | Chine collé, aquatint and burin
Untitled 9
1994 | 56 x 75 cm | Chine collé, aquatint and burin
Untitled 21
1972 | 22 x 18 cm | Eau-forte | 20 prints
Untitled 22
1972 | 22 x 18 cm | Eau-forte | 20 prints
Untitled 10
2001 | 65 x 50 cm | Chine collé, aquatint and burin
Untitled 11
2001 | 65 x 50 cm | Chine collé, aquatint and burin
Untitled 12
2001 | 65 x 50 cm | Chine collé, aquatint and burin
Untitled 13
1995 | 50 x 33 cm | Chine collé, aquatint and burin
Untitled 15
1995 | 50 x 33 cm | Chine collé, aquatint and burin
Untitled 14
1995 | 50 x 33 cm | Chine collé, aquatint and burin
Untitled 16
1995 | 50 x 33 cm | Chine collé, aquatint and burin
Untitled 17
2008 | 54 x 101 cm | Aquatint
Untitled 18
2008 | 54 x 101 cm | Aquatint
Untitled 19
2019 | 38 x 29 cm | Chine collé, aquatint and burin
Untitled 20
1998 | 57 x 38 cm | Chine collé, aquatint and burin
Untitled 1
1995 | 66 x 42 cm | Lithography | 4 prints
Untitled 2
1995 | 66 x 42 cm | Lithography | 4 prints
Untitled 3
1995 | 66 x 42 cm | Lithography | 4 prints
Tourbillon
1991 | 50 x 65cm | Aquatint and chine collé | 50 prints | Editor Atelier-Galerie A. Piroir
Nature morte
1991 | 50 x 65cm | Aquatint and chine collé | 50 prints | Editor Atelier-Galerie A. Piroir
Chers enfants
1991 | 50 x 65cm | Aquatint and chine collé | 50 prints | Editor Atelier-Galerie A. Piroir
Tête blanche
1997 | 65 x 50 cm | Drypoint, eau-forte et chine collé | 30 prints
Deux têtes
2001 | 65 x 50 cm | Eau-forte and chine collé | 30 prints
Paul Bourgault, a visual artist from Quebec, gained recognition for the originality of his approach, combining traditional techniques with contemporary aesthetics. A graduate of the Université du Québec à Montréal, he creates a pictorial and graphic universe in which material plays a central role, notably exploring themes of memory and territory. Since the early 2010s, he has regularly exhibited his work in various Canadian and international galleries, drawing the attention of a diverse audience. Renowned for his aesthetic sensitivity and strong contrasts, his work continues to enrich the artistic landscape of the province and beyond.
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Guillaume Brisson-Darveau lives in Montreal and holds a Master's degree in Visual Arts from Laval University (Quebec, Canada) He also began a Ph.D. program in Arts Studies and Practices last year at the UQAM (Montreal, Canada). His work was presented in Canada, Germany, Chile, Switzerland, Scotland, Spain and Japan. Notably as part of the exhibition Dobles de proximidad at Museo de Arte Contemporáneo (2018, Chile), Art Souterrain (2017, Canada), the NEoN Digital Arts Festival (2016, Scotland) and through his collaborations at nachtspeicher23 (2018, Germany), Diagonale (2013, Canada) and Arprim (2012, Canada). He was involved in numerous artist residencies in Canada and abroad, such as Atelier Mondial (Switzerland, 2018), Est-Nord-Est (2016, Canada) and the Banff Center (2015, Canada). His work has received support by the Canada Council for the Arts and the Conseil des Arts et Lettres du Québec in the last years.
Anne Brochu Lambert is a Canadian artist renowned for her richly textured works inspired by nature. She explores memory and the passage of time through mixed media techniques, combining collage, ink, natural pigments, and found objects. A graduate in visual arts, she has exhibited in Canada and internationally, earning numerous awards for her innovative approach. Her art, influenced by Quebec landscapes and the interconnectedness of humans and the environment, invites contemplation and reflection. Passionate about creative recycling, she transforms ordinary materials into unique pieces, blending visual poetry with ecological commitment.
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Audrey Casalis, born in 1995, is a young French visual artist recognized for her abstract compositions and vibrant use of color. A graduate of the École des Beaux-Arts de Paris, she draws inspiration from both European pictorial tradition and contemporary techniques in collage and digital media. Her works explore the boundary between figuration and non-figuration, while tackling social and ecological themes. Since 2017, she has regularly exhibited in various French and international galleries, attracting the attention of a diverse audience. Committed to cultural accessibility, she also leads introductory art workshops for young audiences, sharing her expertise and passion for creativity.
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Bernard Chambon, a French engraver and visual artist, was awarded the prestigious title of Meilleur Ouvrier de France in copper engraving in 2000. Since the early 1990s, he has exhibited his work regularly, which is now part of various public and private collections in France, Belgium, Switzerland, Italy, and Canada. Affiliated with several specialized printmaking workshops, he combines traditional engraving techniques (etching, aquatint) with more contemporary approaches. His practice examines gesture and material, while exploring memory and time. Renowned for the delicacy of his line, he remains a highly regarded figure in the world of printmaking.
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Originaire de Québec, cette artiste a grandi dans un univers marqué par l’art et la création. Par l’expérimentation et l’observation, elle a développé une démarche sensible centrée sur la lumière, les contrastes et la vibration des formes. Dans ses estampes, le geste intuitif et l’imaginaire prennent toute la place, traduisant une quête intérieure et une liberté d’expression ancrée dans le rêve et l’émotion.
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Jean Michel Cropsal was born in Morocco and there he spent his childhood. In France he studied and works for the theatre: sets and costumes. He came to Canada in 1975 and continues his work for the theatre and dance. He also designed and made clothes. Throughout these years he continuously drew, painted and engraved. He held solo exhibitions and participated in group events in various places and numerous galleries in Canada, Morocco and France. For 20 years, he has been a member of the Atelier Circulaire.
Sans titre
2017 | 27 x 38 cm | Aquatint, etching and drypoint | 7 prints
E 01
2021 | 57 x 36 cm | Aquatint, etching and drypoint | 7 prints
E 04
2021 | 57 x 36 cm | Aquatint, etching and drypoint | 7 prints
Triptyque 11
2021 | 38 x 31 cm | Aquatint, etching and drypoint | 7 prints
E 07
2021 | 57 x 36 cm | Aquatint, etching and drypoint | 7 prints
Salvador Dalí is a painter, printmaker and sculptor of Spanish nationality, who was born in 1904 and died in 1989. He is one of the best known representatives of surrealism, to which he became associated in the 1920s, on the advice of Joan Miró. After an American period, during World War II, he returned to Spain in 1949 and remained there until his death. Excluded from the surrealist movement, he moved closer to Catholicism and developed an approach he called "corpuscular mysticism". The recurring themes in his work include sexuality, dreams, religion and his wife Gala, who was his muse for a long time.
1974 | 101 x 69 cm | Drypoint and lithography
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Frédéric Desaulniers est né à St-Hubert, Québec en 1979. Pratiquant la gravure depuis 1996, il est membre actif de l’Atelier Circulaire et du Conseil québécois de l’estampe.
Artiste animalier, Frédéric Desaulniers crée des œuvres réalistes et détaillées qui célèbrent la majesté et la diversité de la faune africaine. Ses gravures font partie de plusieurs collections publiques et privées au Québec.
Noir et blanc
2007 | 44 x 35cm | Manière noire et pointe-sèche | 30 exemplaires | Édition Atelier-Galerie A. Piroir
Afrique
2007 | 44 x 35cm | Manière noire et pointe-sèche | 30 exemplaires | Édition Atelier-Galerie A. Piroir
Fenêtre sur l'Afrique
2007 | 56 x 76cm | Manière noire et pointe-sèche | 40 exemplaires | Édition Atelier-Galerie A. Piroir
Seul
2007 | 56 x 76cm | Manière noire et pointe-sèche | 60 exemplaires | Édition Atelier-Galerie A. Piroir
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Cynthia Dinan-Mitchell holds a Bachelor's degree in Visual Arts from Concordia University (2002) and a Master's degree in Visual Arts from Laval University (2007). She has exhibited her work throughout Canada in a variety of galleries and artists’ centres, including Montreal, Quebec and Jonquières.
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Pierre Durette received a Bachelor of Fine Arts from the Université du Québec à Montréal in 2006. As a student, his print media work earned him the Grand Prix Albert Dumouchel in 2004 and he was the winner of the Projet Insertion contest at Atelier Graff in 2005.
The artist’s works have been included in many exhibitions in Quebec and Ontario, most notably at the Musée d’art contemporain de Montréal and at The Power Plant in Toronto. Recipient of the Marcel Bellerive grant for excellence, Pierre Durette received a project grant from the Conseil des Arts et Lettres du Québec in 2009. Originally from Causapscal in the Gaspé region.
Babel 15
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 16
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 14
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 13
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 12
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 18
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 20
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Babel 21
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Goodbye
2015 | 13 x 15 cm | Photolithography | 15 prints
Babel 17
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 24
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Babel 22
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Welcome
2015 | 13 x 15 cm | Photolithography | 15 prints
Babel 19
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Babel 23
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Babel 25
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Welcome 2
2015 | 19 x 15 cm | Photolithography | 15 prints
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Max Ernst is a painter, printmaker, collagist and sculptor, who was born in Brühl in 1891 and who died in Paris in 1976. He was first associated with the dadaist and surrealist movements, from 1919 to 1938, a period during which he befriended writers like Tristan Tzara, Paul Éluard and André Breton, as well as artists like Joan Miró and Alberto Giacometti. He moved to the United States during World War II, where he lived until 1953. There he continued his work as an artist, particularly devoting himself to dripping, which heralded the work of Jackson Pollock. He returned to finish his life in France, where he devoted himself more to engraving, notably with Georges Visat in Paris, as well as at the Pierre Chave workshop in Vence.
1975 | 55 x 42 cm | Aquatint, etching and lithography | Editor Georges Visat
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Catherine Farish is originally from London, England. She received a diploma from l'École des Beaux Arts de Montréal as well as a bachelor of fine arts from Concordia in 1983. To complete her studies in etching, she went to Paris and was a student at l'atelier Le Blanc.
The artist has had over 25 solo shows abd has also been part of numerous collective shows across North America, Europe and Asia. Her works are also part of numerous collections in Canada and the United States.
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Born in Thetford Mines in 1956, Marc Garneau has been practising printmaking and painting for more than 40 years in Montreal, where he lives and works. His work has been featured in about 60 solo exhibitions and is included in important public collections, including the Musée d’art contemporain de Montréal and the Musée national des beaux-arts du Québec. He was awarded the Grand Prix de la Biennale du dessin, de l’estampe et du papier matière du Québec.
Untitled 1
2019 | 38 x 29 cm | Carborundum and drypoint
Untitled 2
2019 | 38 x 29 cm | Carborundum and drypoint
Hier
2002 | 38 x 29 cm | Carborundum and drypoint
Mehn
2002 | 38 x 29 cm | Carborundum and drypoint
Unten
2002 | 29 x 38 cm | Carborundum and drypoint
Haben Su?
2002 | 38 x 29 cm | Carborundum and drypoint
Schnell
2002 | 29 x 38 cm | Carborundum and drypoint
#193
2004 | 38 x 29 cm | Carborundum | 1 print
#95
2004 | 38 x 29 cm | Carborundum | 1 print
#47
2004 | 38 x 29 cm | Carborundum | 1 print
#52
2004 | 38 x 29 cm | Carborundum | 1 print
#97
2004 | 38 x 29 cm | Carborundum | 1 print
#157.1
2004 | 38 x 29 cm | Carborundum | 1 print
#72
2004 | 38 x 29 cm | Carborundum | 1 print
#84
2004 | 38 x 29 cm | Carborundum | 1 print
#184
2004 | 38 x 29 cm | Carborundum | 1 print
#109
2004 | 38 x 29 cm | Carborundum | 1 print
#204
2004 | 38 x 29 cm | Carborundum | 1 print
#201
2004 | 38 x 29 cm | Carborundum | 1 print
#189
2004 | 38 x 29 cm | Carborundum | 1 print
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John Heward was born on July 31, 1934 in Montreal and died in the same city on November 6, 2018. A graduate of Bishops University, winner of the 2012 Paul-Émile Borduas Award, Heward participated in numerous group exhibitions during his career in Canada and the United States, in addition to having the honour of solo exhibitions in Paris, Atlanta, Calgary and Toronto.
Flux 4
2014 | 120 x 80 cm | Eau-forte and chine collé
Flux 5
2014 | 120 x 80 cm | Eau-forte and chine collé
Flux 6
2014 | 120 x 80 cm | Eau-forte and chine collé
Flux 2
2014 | 120 x 80 cm | Eaux forte, chine collé and hand enhanced | 1 print
$2,800.00 CAD
Untitled 3
2003 | 40 x 50 cm | Eau-forte | 12 prints
Flux 3
2014 | 120 x 80 cm | Eaux forte, chine collé and hand enhanced | 1 print
Untitled 2
2003 | 45 x 38 cm | Eau-forte | 12 prints
Untitled 4
2006 | 57 x 38 cm | Eau-forte and dry point | 1 print
Untitled 5
2006 | 57 x 38 cm | Eau-forte and dry point | 1 print
Untitled 1
2007 | 65 x 50 cm | Eau-forte | 10 prints
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Céline Huyghebaert is an artist and writer working at the intersection of literature and visual art through prints, books, exhibitions, and collaborations. In her own practice, she uses a broad range of techniques to tell stories that are part documentary, part fiction: traditional and digital printing processes, writing, collages, along with research tools like interviews or archives. She is particularly interested in collaborative gestures and “poor materials,” such as paper, photocopy, and risography.
Huyghebaert recently exhibited "Un cas particulier / A specific woman" at Occurrence, a Montreal contemporary art center, where she created a fictional artist from archival documents and correspondence with over 50 visual artists.
In 2019, Huyghebaert won the Governor General’s Award for her first novel "Le drap blanc" published by Le Quartanier, and was awarded the Bronfman Fellowship in Contemporary Art. She completed a PhD in Art from UQAM, where she also earned a Master’s degree in Literature. She is currently conducting postdoctoral research in Quebec and France, working on a new book and exhibition about the image and language of pain. Huyghebaert was born in France and has been living in Montreal since 2002.
2023 | 33,5 x 27 cm
Embossage et impression sur papier Arches | Embossing and print on Arches paper
Autographe en bas | Signature on back
2023 | 26,5 x 33 cm
Embossage et impression sur papier Arches | Embossing and print on Arches paper
Autographe en bas | Signature on back
2023 | 36,5 x 26,5 cm
Impression sur papier | Print on paper
Autographe en bas | Signature on back
2023 | 36,5 x 26,5 cm
Impression sur papier | Print on paper
Autographe en bas | Signature on back
2023 | 36,5 x 26,5 cm
Impression sur papier Arches blanc | Print on Arches paper
Autographe en bas | Signature on back
Les mots ont perdu leur sens
2023 | Diptyque composé de « la marque » + un moulage en exemplaire unique sur pâte d’argile, papier maché, glue et pigment